Monday, October 25, 2010

Wedding - Invitation...













































Assembly required.

To save a buck or many bucks, I hand printed my invites. I bought cotton handkerchiefs from an embroidery supply company and hand screen printed my design onto them. Vintage postcards were hunted down for multiple weeks at the Fremont Sunday Market and the Fremont Antique Mall. I only selected unused postcards from Washington, Oregon, Montana, Yellowstone, and a few random outdoor scenes from other states since I bought all the Northwest ones in the area and it wasn't enough. Travel and nature is very important to us, so I guess this was a way of including that in a subtle way. The backs were tonar-transfer printed by hand and I used a date stamp to set things straight. The envelopes were stamped with a custom return address stamp alongside vintage postage and individually numbered mailing label. I ordered the lighthouse stamps exclusively for this project because they looked the oldest out of the USPS inventory. I made sure .44 was enough postage for these thick envelopes 2 times and I ended up getting 46 sent back to me asking for more! This was super frustrating after making the steps to avoid this problem. Pressured to get these out on time, I had to slap a stupid Liberty Bell stamp outside of my grid or on top of another stamp to make things right. Yes, this kind of thing infuriates me, but you know that already. This process was very time consuming but fun as hell. I feel connected to each invite made and I love that that energy is shared in each envelope.

Wedding - Save The Date...






















Craft'n

Vintage wallpaper was collected from the Fremont Sunday Market and Etsy and screen printed over with my artwork. This took much longer than expected because screen printing is a very sensitive art, so there was a lot of trial and error - mostly error. I did all of my printing at The Vera Project's print room, so I had to learn their system and equipment as I went. My original design had two colors and single sided, but I couldn't get my second color to work. Running out of time and being tired of harassment from Sarah's mom, I came up with the two sided solution you see above.

Each Save The Date is unique. I wanted to make each invite feel like a commissioned custom piece of art while reflecting a 1920's vibe. The backs were actually laser printed on tactile paper and distressed by hand. The return address stamp was custom made by a company that just happened to be using the same typefaces I was using in their product line. The mailing label was inspired by one from the 1930's I found on the web and recreated and digitally antiqued. The stamps turned to be more work than I thought, but I managed to find 600 vintage examples locally for a fair price. Originally, I wanted to use unused postage and add up all the stamps to make the .44, but that was proving to be a very costly and timely project. I am glad I checked in with the post office to make sure I could decorate my envelopes with canceled stamps alongside a real stamp for postage requirements.

I had a great time making these and I am really proud of how they turned out. Mark this one down as "DONE" in all caps. Now, I will enjoy a week or two and get started on the invitations.

Monday, March 22, 2010

Eames



So much awesome happening in this photo.

Friday, January 15, 2010

MMMMMM Turbo


There is nothing better than this photo. The content, the color, the grain, the era. I could die happy with this image in my mind. So inviting, so rare. Those stripes get me every time.

Tuesday, December 29, 2009

Avatar..

Papyrus...really?

500 Million dollars and you choose a free Font used by scrapbookers and substitute teachers?

I almost walked out, but then I realized this is one incredible piece of animation history.

Friday, November 13, 2009

Nice Package(ing) 003


Damn, everything was so much better back in the day.

Tuesday, September 29, 2009

Sign Language 002



This is the most amazing billboard I have seen. The distressing and antiquing is so well executed it is hard to believe this is all digital and printed on canvas. The 'wood planks' seams, the dirty edges, the 'wrap around' feel along the frame - so amazing. I want to know the story of this. I want to know if this was created from or is this really a photo of an old sign found in storage. Thank you for being creative and putting something out there worth being forced to look at.